[PDF.37wa] Modernist Alchemy: Poetry and the Occult

Modernist Alchemy: Poetry and the Occult

[PDF.sr89] Modernist Alchemy: Poetry and the Occult

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 | #2876877 in Books |  Timothy Materer |  1996-01-11 | Original language:English | PDF # 1 |  9.30 x.85 x6.31l,1.23 | File type: PDF | 240 pages

 | Modernist alchemy

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||1 of 1 people found the following review helpful.| Worthwhile Survey of an Understudied Area|By A.E.M. Baumann|_Modernist Alchemy_ picks up an much under-discussed aspect of Modernist literature: it's relation to occultism and the influence occult thinking had both on the writers and their work: something underdiscussed even though once the subject is honestly broached it becomes quite apparent that the occult cannot be dismiss|From the Back Cover|The occult has been a source of both ideas and images for modern poets from W. B. Yeats to James Merrill. Poets as diverse as Ezra Pound, H.D., Sylvia Plath, Robert Duncan, and Ted Hughes were both fascinated by, and skeptical of, such phenom

Modernist Alchemy takes a close look at the work of twentieth-century poets whose use of the occult constitutes a recovery of discarded beliefs and modes of thought: Yeats and Plath try to dismiss conventional religion, Hughes captures a sense of adventure, H.D. seeks to liberate repressed concepts, while Duncan and Merrill hunt for a lost understanding of sexual identity which will allow for androgyny and homosexuality.

You can specify the type of files you want, for your device.Modernist Alchemy: Poetry and the Occult   |  Timothy Materer. Which are the reasons I like to read books. Great story by a great author.

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