[PDF.24el] Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores (Oxford Music / Media)

Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores (Oxford Music / Media)

[PDF.uy68] Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores (Oxford Music / Media)

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 | #708164 in Books |  Peter Franklin |  2015-04-01 |  2015-04-01 | Original language:English | PDF # 1 |  6.10 x.60 x9.10l,.0 | File type: PDF | 208 pages

 | Seeing Through Music Gender and Modernism in Classic Hollywood Film Scores Oxford Music Media

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|| |"Franklin examines the gendered tenets of Modernism that relegated film scores - along with Mahler and Rachmaninoff - to the cultural dumpster. He brilliantly dissects 20th-century canon formation and serves up luscious accounts of how music produces its power

Hollywood film music is often mocked as a disreputably "applied" branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation.

In fact the criticism of film music as slavishly descriptive or manipulati...

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